Listen:
Details
Format: LP
Label: Fire Records
Year: 2024
Media Condition: New
Sleeve/Cover Condition: New
TRACKS:
A1 Air
A2 Move
A3 Hallucination
A4 Junkie Nurse
B1 Sometimes
B2 Lightning Boxer
B3 Blood Flowers
B4 Sun On The Run
Originally released in 1992. This edition pressed on white vinyl.
Royal Trux are Jennifer Herrema and Neil Hagerty.
1992's 'Untitled' cemented the duo once again as the progenitors of the “lo-fi” genre. As unpredictable as ever, Neil Hagerty and Jennifer Herrema shook off the next level layering and noise of 'Twin Infinitives' to embrace the history of rock 'n' roll in all its deformed grandeur.
Utilizing their ever present mind set of macro-inclusivity, they allowed the subconscious "radio stations" of their lives to infiltrate, lead, and dictate. Culling from their collective minds and memories twisted tunes that touched them. After the blood rush of their much-hailed avant-garde masterpiece 'Twin Infinitives' (1988), this eight-song opus added to the lo-fi genre that originated on 'Twin Infinitives'.
On 'Untitled' Hagerty uses his blues roots and hails rock's twisted potential, while Herrema slurs and snarls in ecstasy. They sound like they're locked in a fourth-floor boudoir at the Chelsea Hotel; bottles clink, an album clicks on its run-out groove, the band plays on. In the mix are the characters and casualties of the 90s, a roll call of swaggering misfits.
Label: Fire Records
Year: 2024
Media Condition: New
Sleeve/Cover Condition: New
TRACKS:
A1 Air
A2 Move
A3 Hallucination
A4 Junkie Nurse
B1 Sometimes
B2 Lightning Boxer
B3 Blood Flowers
B4 Sun On The Run
Originally released in 1992. This edition pressed on white vinyl.
Royal Trux are Jennifer Herrema and Neil Hagerty.
1992's 'Untitled' cemented the duo once again as the progenitors of the “lo-fi” genre. As unpredictable as ever, Neil Hagerty and Jennifer Herrema shook off the next level layering and noise of 'Twin Infinitives' to embrace the history of rock 'n' roll in all its deformed grandeur.
Utilizing their ever present mind set of macro-inclusivity, they allowed the subconscious "radio stations" of their lives to infiltrate, lead, and dictate. Culling from their collective minds and memories twisted tunes that touched them. After the blood rush of their much-hailed avant-garde masterpiece 'Twin Infinitives' (1988), this eight-song opus added to the lo-fi genre that originated on 'Twin Infinitives'.
On 'Untitled' Hagerty uses his blues roots and hails rock's twisted potential, while Herrema slurs and snarls in ecstasy. They sound like they're locked in a fourth-floor boudoir at the Chelsea Hotel; bottles clink, an album clicks on its run-out groove, the band plays on. In the mix are the characters and casualties of the 90s, a roll call of swaggering misfits.