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Details
Format: LP
Label: Don Giovanni Records
Year: 2024
Media Condition: New
Sleeve/Cover Condition: New
TRACKS:
A1. A Drowning Confession
A2. Let The Rats Inherit The Earth
A3. Eviction Party
A4. Hallelujah
A5. I Know I Know
A6. Outta My Head
B1. New Year's Reprieve
B2. Sorry That I'm Not Better
B3. The Undertow
B4. A Lapse In The Emptiness
B5. Days Don't Quit
Bad Moves are:
Emma Cleveland
David Combs
Katie Park
Daoud Tyler-Ameen
With their third full-length, Washington, D.C.’s Bad Moves have expanded their founding artistic identity — a candy-coated guitar-pop shell surrounding a bitter lyrical core — by refracting their ideas through a new set of musical forms that weaponize repetition.
On "Wearing Out the Refrain", Bad Moves propose that the flip side of the delirious harmony of the basement show singalong is the volatile, accusatory antiphony of a community divided by strain, shouting the same desperate hook back and forth at one another.
Bad Moves’ tag-team vocals, which forgo centering anyone one member, also let the traditionally confessional “I” become the “we” of a community, or generation.
Label: Don Giovanni Records
Year: 2024
Media Condition: New
Sleeve/Cover Condition: New
TRACKS:
A1. A Drowning Confession
A2. Let The Rats Inherit The Earth
A3. Eviction Party
A4. Hallelujah
A5. I Know I Know
A6. Outta My Head
B1. New Year's Reprieve
B2. Sorry That I'm Not Better
B3. The Undertow
B4. A Lapse In The Emptiness
B5. Days Don't Quit
Bad Moves are:
Emma Cleveland
David Combs
Katie Park
Daoud Tyler-Ameen
With their third full-length, Washington, D.C.’s Bad Moves have expanded their founding artistic identity — a candy-coated guitar-pop shell surrounding a bitter lyrical core — by refracting their ideas through a new set of musical forms that weaponize repetition.
On "Wearing Out the Refrain", Bad Moves propose that the flip side of the delirious harmony of the basement show singalong is the volatile, accusatory antiphony of a community divided by strain, shouting the same desperate hook back and forth at one another.
Bad Moves’ tag-team vocals, which forgo centering anyone one member, also let the traditionally confessional “I” become the “we” of a community, or generation.