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Details
Format: 2LP
Label: DKR
Year: 2024
Media Condition: New
Sleeve/Cover Condition: New
TRACKS:
A1 Madness 13
A2 You Were Mine
A3 Revolution Come
A4 Man Free Dub
A5 Days Of Old
B1 Dubb Girl
B2 Dubb Girl Rhythm
B3 Official Sound
B4 Fragile Rhythm
B5 Kid Phil Rhythm
C1 Jacob Miller: Zion City
C2 Zion City Dub Wise
C3 Jacob Miller: Lorraine Dub Wise
C4 Rock My Soul Dub Wise
C5 Johnny Clarke: Trying Man
D1 You Were Dubbing
D2 Sit And Cry
D3 Jacob Miller: Iron Bird
D4 Breezy & Hugh Mundell: Riding On A High & Windy Day (Alt. Take)
D5 Riding Rhythm
Previously unreleased, recordings from 1973 - 1976.
“Prince” Philip Smart was the first apprentice of King Tubby and the first engineer at Tubby’s studio besides Tubby himself. In the early years of Tubby’s studio, both men were making and cutting custom dubs for their sound systems before starting to produce their own tunes from scratch, with Philip becoming the second chair engineer.
Alongside Tubby, Philip was integral to the innovation that took place at Tubby’s studio in the mid 1970s, where the mixing of new roots reggae revolutionized the sound of Jamaican music and created styles and techniques that are still being echoed today, nearly 50 years later.
Label: DKR
Year: 2024
Media Condition: New
Sleeve/Cover Condition: New
TRACKS:
A1 Madness 13
A2 You Were Mine
A3 Revolution Come
A4 Man Free Dub
A5 Days Of Old
B1 Dubb Girl
B2 Dubb Girl Rhythm
B3 Official Sound
B4 Fragile Rhythm
B5 Kid Phil Rhythm
C1 Jacob Miller: Zion City
C2 Zion City Dub Wise
C3 Jacob Miller: Lorraine Dub Wise
C4 Rock My Soul Dub Wise
C5 Johnny Clarke: Trying Man
D1 You Were Dubbing
D2 Sit And Cry
D3 Jacob Miller: Iron Bird
D4 Breezy & Hugh Mundell: Riding On A High & Windy Day (Alt. Take)
D5 Riding Rhythm
Previously unreleased, recordings from 1973 - 1976.
“Prince” Philip Smart was the first apprentice of King Tubby and the first engineer at Tubby’s studio besides Tubby himself. In the early years of Tubby’s studio, both men were making and cutting custom dubs for their sound systems before starting to produce their own tunes from scratch, with Philip becoming the second chair engineer.
Alongside Tubby, Philip was integral to the innovation that took place at Tubby’s studio in the mid 1970s, where the mixing of new roots reggae revolutionized the sound of Jamaican music and created styles and techniques that are still being echoed today, nearly 50 years later.