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Details
Format: LP
Label: On-U Sound
Year: 2016
Media Condition: New
Sleeve/Cover Condition: New
TRACKS:
A1 African Blood
A2 Bedward The Flying Preacher
A3 Snipers In The Streets
A4 A Matter Of Time
B1 School Days
B2 Autobiography
B3 Socca
B4 This Assembly
Originally released in 1983.
PERSONNEL:
Bass – Crucial Tony, Errol Holt, George Oban, Lizard
Drums – Eek-a-Roo, Style Scott
Guitar – Bingy, Bloodvessel, Ashanti Roy, Crucial Tony, Dwight, Martin Frederix
Harmony Vocals – Valerie, Vyris
Horns – Deadly Headley, Flash, Bammy, Vin Gordon
Keyboards – Bubblers, Fatfingers, Dr. Pablo, Nick Plytas
Lead Vocals – Bim Sherman, Ashanti Roy, Mikey Dread, Prince Far I
Percussion – Bonjo I, Ashanti Roy, Eskimo
Penny Whistle – Martin Frederix
Producer – Adrian Sherwood
One of the more remarkable assemblies of talent in the On-U Sound catalog, including vocal turns from Bim Sherman, Congo Ashanti Roy, Mikey Dread, and Prince Far I, "Staggering Heights" is considered by some to be the UK early avant-dub scene's creative peak. It manages to sound somehow loose and spontaneous, and yet, absurdly ahead of its time.
Label: On-U Sound
Year: 2016
Media Condition: New
Sleeve/Cover Condition: New
TRACKS:
A1 African Blood
A2 Bedward The Flying Preacher
A3 Snipers In The Streets
A4 A Matter Of Time
B1 School Days
B2 Autobiography
B3 Socca
B4 This Assembly
Originally released in 1983.
PERSONNEL:
Bass – Crucial Tony, Errol Holt, George Oban, Lizard
Drums – Eek-a-Roo, Style Scott
Guitar – Bingy, Bloodvessel, Ashanti Roy, Crucial Tony, Dwight, Martin Frederix
Harmony Vocals – Valerie, Vyris
Horns – Deadly Headley, Flash, Bammy, Vin Gordon
Keyboards – Bubblers, Fatfingers, Dr. Pablo, Nick Plytas
Lead Vocals – Bim Sherman, Ashanti Roy, Mikey Dread, Prince Far I
Percussion – Bonjo I, Ashanti Roy, Eskimo
Penny Whistle – Martin Frederix
Producer – Adrian Sherwood
One of the more remarkable assemblies of talent in the On-U Sound catalog, including vocal turns from Bim Sherman, Congo Ashanti Roy, Mikey Dread, and Prince Far I, "Staggering Heights" is considered by some to be the UK early avant-dub scene's creative peak. It manages to sound somehow loose and spontaneous, and yet, absurdly ahead of its time.